The Fourth Dimension is Trinh T. Minh-ha’s first digital video feature. It is an exploration of time through rituals of new technology, daily life, and what is understood as conventional ritual, including festivals, religious rites, and theatrical performances.
Trinh T. Minh-ha – Wikipedia, Trinh T. Minh-ha – Wikipedia, The Fourth Dimension (2001) – IMDb, Trinh T. Minh-ha – Wikipedia, SYNOPSIS. Acclaimed filmmaker Trinh T. Minh-ha ventures into the digital realm with her stunning feature, THE FOURTH DIMENSION, an incisive and insightful examination of Japan through its art, culture, and social rituals. As is the case with Trinh’s previous films, her film is a multi-layered work addressing issues around its central theme: the …
The Fourth Dimension. This is an elegant meditation on time, travel, and ceremony in the form of a journey. In her first foray into digital video, Trinh T. Minh-ha deconstructs the role of ritual in mediating between the past and the present.
Synopsis. THE FOURTH DIMENSION is an elegant meditation on time, travel, and ceremony in the form of a journey. In her first foray into digital video, Minh-ha deconstructs the role of ritual in mediating between the past and the present. She explains, Shown in their widespread functions and manifestations, including more evident loci such as …
3/1/2018 · The discussion zeroes in on the making of The Fourth Dimension. These conversations are being published in the lead-up to Art Basel in Hong Kong this March, when ICA with M+ and Hong Kong Arts Centre will present Films by Trinh T. Minh-Ha at the Hong Kong Arts Centre, building on the recent retrospective at the ICA in London. This programme is organised in collaboration with the Department